![]() ![]() Even with a wardrobe full of things I love, it is easy to find myself grappling with the same sartorial concerns every day: Do these things go together? Are they “flattering”? Will I be warm enough? This experiment reacquainted me with the infinite possibilities that present themselves when I stand in front of my closet each morning. Instead I was inspired, enamored by the clash of all the disparate items in my own closet. My week of Gucci did not leave me feeling bloated from overindulgence in maximalism, as I had worried it might. What follows is a work week’s worth of Gucci-inspired looks, borrowed from the Spring/Summer and Cruise runways, and homegrown from items I already had in my closet (plus the newly acquired costume accessories). Cruella de Vil sunglasses, studded leather masks, a rubber cast of a baby dragon? I headed straight to the year-round costume shop Halloween Adventure with a self-imposed spending cap of $25. When I was finished, however, I found a little space in my horror vacui of an outfit that was in need of filling. “You can do this,” he reminded me, “you love layering.” I turned to my closet and found that the essential Gucci formula can indeed be achieved with some heavy-handed layering: one part frilly vintage dress, one part more modern and masculine (a T-shirt, sports jersey, sneakers), and one part over-the-top anything (colorful fur, oversized jewelry, patterned socks). I moped home from the store, contemplating selling an organ or two, until my fiancé (and fellow conspirator in style experiments) lifted my spirits. The appeal is in the overall effect, a technicolor patchwork topped with a diamante bow. The problem with Gucci in its current iteration, however, is that one piece is never enough. The history of Gucci is now staunchly divided between the era before Alessandro Michele’s takeover (horseback riding and Tom Ford’s smoldering gaze) and his anno domini, lush with Elizabethan collars and Yankees memorabilia, a distinct blend of historical costume and fantasy. But then I visited the Gucci store on Wooster Street, and it sent me sliding right back into the arms of glitter-smeared, faux-blood-stained temptation. In an effort to become more of a grown-up, I swore off costume shop shopping in my twenties. The Louis Vuitton bunny ears from the F/W 2009 runway? That was almost too easy. The miniature crowns from so many of the pre-scandal Dolce and Gabbana shows? Plucked one right off the top of a Rapunzel wig. ![]() Remember extreme cat eye sunglasses from Alexander Wang’s early days? I do, because Party City sold a Batman costume that came with (almost) the exact same ones. The accessories were equally incredible, and models showed off Gucci’s now-famous fur-lined leather slippers as well as a new T-strap footwear design featuring a platform heel that we predict will become spring’s It item. Although bags on Gucci’s spring runway were revived by beading and bold motifs, Michele certainly hasn’t done away with the brand’s iconic logo or red-and-green palette.įront row at the show were Gucci muses Karen Elson, Charlotte Casiraghi, and Dakota Johnson, as well as Salma Hayek and her husband, Kering boss François-Henri Pinault.Ĭlick through the gallery to check out the 18 incredible looks we loved most from Gucci’s Spring ’16 line.When I was a teenager, I procured many of my accessories from the costume section of Party City. The color scheme pitched from sugary pastels to bright greens and watermelon. Michele impressed again at today’s Spring 2016 Milan Fashion Week showcase, delivering a collection of clothes and accessories that felt fresh, quirky, witty, and very relevant.Įach look came with a distinct touch: an oversize pussy bow a frothy, sheer ruffle. Alessandro Michele took the reigns at Gucci in January-succeeding longtime creative director Frida Giannini-and already the young designer is receiving widespread acclaim from the industry crowd for the changes he’s bringing to one of the world’s most distinctive fashion brands. ![]()
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